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Scott Fitzgerald, there is a distinct development of emotions and symbols, and one of the key vehicles for illustrating this change is the final line of each chapter. Hidden within each final sentence lies an inner message that either pulls together a major theme in the chapter leading up to the sentence, or is a harbinger of the coming chapters.
By doing this, Fitzgerald is able to outline major themes in the novel, including facial expressions, honesty, and balance. Most clearly and powerfully, however, the outline of lightness through positive imagery and darkness through negative imagery is presented in the final lines of each chapter.
By grouping the chapters by hopefulness shown in their respective final lines, a trend is apparent. In chapters one through three, the final lines provide a dark, sullen preview for the chapters to come, while chapter four provides a transition into the final lines of chapters five and six, which signify a brief sense of giddiness that begins to darken.
Though this may be purely contextual, as Nick finds himself in a subway station by the end of the chapter, Fitzgerald allows for them to contribute to the omen that began in the first chapter. Chapters one through three outline the darkness and ambiguity that form the cloudy start to the novel, as this grouping illustrates the absence of clarity in the characters that Nick has, at this point in the novel, yet to fully describe.
For example, Fitzgerald does not present Gatsby to the reader until well into the third chapter, and even then, we do not know much about who he is; we only know that he remembers Nick from the war and that he holds large parties. As the book proceeds, Fitzgerald sheds more light on the dreams, personalities and back-stories of the individuals in the novel.
The last line of chapter four provides a buffer between the dark, ambiguous imagery of the first three chapters and the light imagery to come in chapters five and six. Although she smiles, she does not truly display any happiness or excitement toward her relationship with Nick. The last line of chapter four is also an example of the continued examples of important facial expressions, constituting an ongoing motif in the novel.
For example, earlier in chapter four, Nick describes how just a glance at Gatsby would make anyone understand that he was telling the truth.
Chapter four provides an important gradient between dark and light, as its possession of both leads into the more hopeful mood in chapters five and six. Chapter five brings about a new mood to the novel, and its final lines include very positive, optimistic vocabulary. Though it continues to rain outside, a connection between Daisy and Gatsby is rekindled and their love briefly reblossoms.
Its last line placed directly in the middle of the book, chapter five provides symmetry of light and dark imagery in the novel.
Continuing this crest of light imagery, chapter six is all about the joyful past of Daisy and Gatsby, though it ends with equivocal incommunicability as to what to make of the past.
In these ways, chapters five and six form the crest of the light imagery, and their final lines sum up what to make of this new discovery of light in the novel: In chapter seven, the novel brusquely begins to seep back into darkness and pessimism, and its final line clearly outlines this change.
The decline into pessimism and darkness reaches its bitter end at the end of chapter eight, when both Gatsby and George Wilson are killed.
The buildup of intense hostility coming to a close, the final line is indispensible in defining this point as the climax of the plot. The novel ends with a famous line of hope despite struggle, and accepting reality in the face of desire, and it ultimately wraps up the previous final lines by stating the importance of retaining a state of equilibrium.
Jeffrey Steinbrink finds this important overall meaning when he says that, And so we must, apparently, for according to Fitzgerald man livessuccessfully only in a state of equilibrium between resistance to the current and surrender to its flow.
He must accommodate the lessons of his past to his visions of the future, giving it to neither, in order to stand poised for happiness or disappointment in the present Steinbrink This idea brings together every final line in the novel; Gatsby fails to understand that without equilibrium between resistance to skeptics and the acceptance of the past and the present, one will not get anywhere in life.
The last line of the book is beautiful because it not only wraps up all of the final, concluding lines of the chapters and provides an optimistic look at the story, but it also provides an important lesson about balance and equilibrium in life.
Even more importantly, it signifies the power of final lines to solidify everything previously stated into one sentence from which the reader may grow.
Looking deeply into the concluding lines of each paragraph tell us a lot about the trend of shifts in mood in the novel, particularly in the positive light and negative dark imagery.
The final lines also briefly preview what is to come in the following chapters. Lastly, they tell us about a range of messages, from specific ongoing themes like body language and honesty to more broad themes such as the balance and equilibrium one must embrace in order to avoid the rollercoaster of emotions that Gatsby confronted, bringing him to a conclusive end.
Fitzgerald communicates a wealth of messages and morals about the novel through the final lines of chapters, disclosing more about The Great Gatsby than one would imagine. Twentieth Century Literature, Vol.Essay about The Genuine Nick Carraway of F.
Scott Fitzgerald’s The Great Gatsby - The Genuine Nick of The Great Gatsby Nick Carraway is a very genuine character throughout the novel. He gets involved with situations such as Daisy and Gatsby, he helps them rekindle their love and he also becomes a true friend with Jay Gatsby.
Gatsby is one of the main characters of the story and is the character Fitzgerald uses to pass on his message behind the story. The green light is one of the most reoccurring symbols throughout the book. It represents Gatsby´s obsession of being with Daisy. Download-Theses Mercredi 10 juin (protected by benjaminpohle.com) Unearthing an Inner Meaning in the Final Lines of The Great Gatsby In The Great Gatsby, by F.
Scott Fitzgerald, there is a distinct development of emotions and symbols, and one of the key vehicles for illustrating this change is the final line of each chapter. The Great Gatsby Essay: Nick Carraway The Great Gatsby is a love sick book narrated by Nick Carraway He lives next door to an abundantly wealthy man, Jay Gatsby, who happens to be hopelessly in love with Nicks cousin, Daisy.
Only Gatsby, the man who gives his name to this book, was exempt from my reaction—Gatsby, who represented everything for which I have an unaffected scorn.
() Gatsby may be low-class, but Nick still manages to see something good in him, anyway.