In Missouri[ edit ] The story begins in fictional St. Petersburg, Missouri based on the actual town of Hannibal, Missourion the shore of the Mississippi River "forty to fifty years ago" the novel having been published in
The skill with which Mark Twain elevates the dialect of an illiterate village boy to the highest levels of poetry established the spoken American idiom as a literary language and earned for Mark Twain the reputation, proclaimed for him by Ernest Hemingway, William Faulkner, and many others, as the father of the modern American novel.
Huck, on the one hand, accepts without question what he has been taught about slavery by church and society. In his own mind, as surely as in that of his Southern contemporaries, aiding an escaped slave was both legally and morally wrong.
Rather than simply attacking an institution already legally dead, Mark Twain uses the idea of slavery as a metaphor for all social bondage and injustice.
It is almost irrelevant that Mark Twain has Huck and Jim running deeper into the South rather than north toward free soil. Freedom exists neither in the North nor in the South but in the ideal and idyllic world of the raft and river.
The special world of raft and river is at the very heart of the novel. In contrast to the restrictive and oppressive social world of the shore, the raft is a veritable Eden away from the evils of civilization.
It is here that Jim and Huck can allow their natural bond of love to develop without regard for the question of race. It is here on the raft that Jim can become a surrogate father to Huck, and Huck can develop the depth of feeling for Jim which eventually leads to his decision to imperil his soul.
While the developing relationship between Huck and Jim determines the basic shape of the novel, the river also works in other structural ways. The picaresque form of the novel and its structural rhythm are based on a series of episodes on shore, after each of which Huck and Jim return to the peaceful sanctuary of the raft.
As with her snuff-taking—which was all right because she did it herself—there seems to be no relationship between her fundamental sense of humanity and justice and her religion. Southern romanticism, which Mark Twain blamed for the fall of the South, is particularly allegorized by the wreck of the steamboat Walter Scott, but it is also inherent in such episodes as the feud, where Mark Twain shows the real horror of the sort of situation traditionally glamorized by romantic authors.
In both cases, Mark Twain is attacking the mindless acceptance of values that he believed kept the South in its dark age. Through the adventures of an escaped slave and a runaway boy, both representatives of the ignorant and lowly of the earth, Mark Twain affirms that true humanity is of humans rather than institutions.An Analysis of 'The Adventures of Huckleberry Finn' Words | 12 Pages.
HUCKLEBERRY FINN "The adventures of Huckleberry Finn" is one of the finest works of . In this lesson, we will continue our exploration of Mark Twain's most acclaimed work, The Adventures of Huckleberry Finn, through an analysis of plot, characters, and theme. Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in the United Kingdom in .
By studying Mark Twain's novel, Huckleberry Finn, and its critics with a focus on cultural context, students will develop essential analytical tools for navigating this text and for exploring controversies that surround this quintessential American novel. Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in the United Kingdom in .
Adventures of Huckleberry Finn by Mark Twain. Home / Literature / Adventures of Huckleberry Finn / Analysis ; Adventures of Huckleberry Finn Analysis Literary Devices in Adventures of Huckleberry Finn.
Symbolism, Imagery, Allegory. Setting.
Slavery is legal. Everyone drunk. And you'd better not touch any rattlesnake skins, because you'll be.